Video Tape’s Unintended Consequences…Agony & Ecstasy <\/p>\n
This is a story you have never heard. It is about the advantages and headaches caused by the introduction of video tape. We’ll start on the hard part…The Agony.<\/p>\n
When video tape use began to really take off with network use in 1957, it caused what was then referred to as “time shifting”. This is when a show that had been produced live daily, was suddenly able to tape several episodes the same day…usually a weeks worth. <\/p>\n
With the advent of video tape, all three networks reduced their production staffs by up to 40%. Cameramen, lighting men, stagehands and engineers were let go in droves because the “time shift” had eliminated the need to setup and strike every set, every day. Another difficulty was editing the tape, which for many years, was a major production in itself. <\/p>\n
The Ecstasy part is obvious…instant high quality replay, but…in 1957, there was another phenomenon to deal with which was why the networks pushed to hard to get video tape in place by then. <\/p>\n
It seems that in the mid ’50s, Daylight Savings Time had become a big issue and several states were bucking the national standard for some reason. Some of these problems were brought on by lawsuits from drive-in theater owners and some were “states rights” issues. Among the rebellious states were Tennessee, Wisconsin, Indiana, Arizona and Minnesota. <\/p>\n
A lot of this was in court, but the networks wanted to be able to tape delay programs in these five states if need be. A three hour delay for Kinescope playback of New York shows from Los Angeles was OK, because in that period of time you could get a pretty good, fully processed kine. But, with one hour delays, you had to do a hot kine with below average results.<\/p>\n